前(🈯)身是(shì )皇軍軍(jun1 )港(🆓)的吳港,戰(zhàn )後成(chéng )為(wéi )船(🍩)塢(🔼)工人(rén )的生活(🕟)煉(làn )獄(yù )。在資(🤢)本家(jiā )剝(bāo )削和枯(🎹)燥生(🥈)活的雙重(chóng )煎(jiān )(🔬)熬下(🗼),躁(zào )動(💤)的年輕生命,一頭栽進暴力漩(xuán )渦,延擱成長,終(zhōng )日(rì )在打(🗄)鬥(🛍)、(🎡)賭博、酗酒(jiǔ )中尋找暫(🛹)時(shí )的麻醉。吉田(📞)喜(xǐ )重通過工頭之眼,對(🚸)不(🖍)合理的(🥀)社會現實作出欲迎(yíng )還拒的批判,被視(shì )(🌚)為日本新浪潮代表作(zuò )(💱)之一(🌑)。香山美子飾演純真(zhēn )的酒館女待(dài ),同情工(🙄)人卻慘被強姦(⛓),正(zhèng )與負的(de )能量,在大(🔔)時代中比拼互滲(👺),可(🏯)有超越對與錯,是(shì )與非(fēi )的位置(zhì )?(🗳)片末火車站送別一場,在家和社會之間,吉(🏻)田(🐛)喜重作(🐨)出了左翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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