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一直作為米路(lù )斯．科曼劇(🥇)本鐵三角(🐌)（另一位是(🕋)帕培錫，也是(shì )(🕰)本片編劇之一）成員的艾(ài )雲．巴薩，當然也走低度戲(xì )劇路線(🎲)。同是音樂家的彼(🚤)德與卡洛老友重逢，生(🛍)活狀況(🕯)大不同，你有(🥄)伴(🛹)侶我有家庭(tíng )，然而都(dōu )有(🥞)說(🗑)不(bú )出(🍮)的不明朗(lǎng )，唯(🚑)有以酒(🕕)與音(yīn )樂代替(tì )口水(⏺)。全(quán )片推展不問目的(📯)，只(zhī )在(zài )剎那間的意圖，行行企企比起科曼更義(🔝)無(✋)反顧，卻有生活(🙄)淡如流(liú )水的詩意(🎾)和繆思(sī )(🍄)，叫觀(🤷)眾聯想到二(èr )十年後的伊力．盧馬。巴薩鍾愛(🚴)音樂的程度不下於(yú )文字和電(💹)影(yǐng )，古典(diǎn )音(yīn )樂(🛎)與(yǔ )民間音樂(lè )於(🈸)全片迴轉(🌹)迴盪，難怪成(chéng )了奇斯洛(luò )夫斯基(jī )(🐩)十大心愛(ài )電影之一。 康(kāng )城影(📛)展青(👌)年評審團獎，美(měi )國全國影評人協會特(tè )別獎 (🆙)這部1966年的(de )珍品(pǐn )，是捷克新浪潮短(🎦)暫生命(mìng )中(zhōng )最佳作(🛃)品之一。成名音樂家到小(xiǎo )(🎴)鎮探訪(🚩)舊同學(🏸)，舊同(🈺)學(⏺)是(🧥)個窮音樂(lè )教師，有時在喪(🚪)禮上(shàng )吹奏(💛)樂曲。平(píng )(⛅)凡(🏡)的(de )素材在(🙅)巴(🛃)素(sù )手(shǒu )裡，變出風趣(qù )復(fù )罕見(jiàn )的旋律，一部(bù )憂鬱的喜(xǐ )劇，或灰色喜劇。 (🦐) - Dave Kehr, Chicago Reader (🍂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (⛲) Special Award, National Society of Film Critics Awards (🛤) (🛡) (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🥙)Source HKIFF Czech New Wave 2006
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